Showing posts with label Lewis Carroll. Show all posts
Showing posts with label Lewis Carroll. Show all posts

Thursday, February 16, 2017

Lewis Carrolls Jabberwocky



’Twas brillig, and the slithy toves 
      Did gyre and gimble in the wabe: 
All mimsy were the borogoves, 
      And the mome raths outgrabe. 



“Beware the Jabberwock, my son! 
      The jaws that bite, the claws that catch! 
Beware the Jubjub bird, and shun 
      The frumious Bandersnatch!” 


He took his vorpal sword in hand; 
      Long time the manxome foe he sought— 
So rested he by the Tumtum tree 
      And stood awhile in thought. 



And, as in uffish thought he stood, 
      The Jabberwock, with eyes of flame, 
Came whiffling through the tulgey wood, 
      And burbled as it came! 


One, two! One, two! And through and through 
      The vorpal blade went snicker-snack! 
He left it dead, and with its head 
      He went galumphing back. 

“And hast thou slain the Jabberwock? 
      Come to my arms, my beamish boy! 
O frabjous day! Callooh! Callay!” 
      He chortled in his joy. 

’Twas brillig, and the slithy toves 
      Did gyre and gimble in the wabe: 
All mimsy were the borogoves, 
      And the mome raths outgrabe.

(Manic depressive Jabberwocky, I alternate between burbling and chortling.)

Tuesday, February 11, 2014

Alice Meets Humpty Dumpty: A study in lingustics




"I don't know what you mean by 'glory'," Alice said.

Humpty Dumpty smiled contemptuously. "Of course you don't - till I tell you. I meant 'there's a nice knock-down argument for you!'"

"But 'glory' doesn't mean 'a nice knock-down argument'," Alice objected.

"When I use a word," Humpty Dumpty said, in rather a scornful tone, "it means just what I choose it to mean - neither more nor less."

"The question is," said Alice, "whether you can make words mean so many different things."

"The question is," said Humpty Dumpty, "which is to be master - that's all."

Alice was too much puzzled to say anything; so after a minute Humpty Dumpty began again. "They've a temper some of them - particularly verbs: they're the proudest - adjectives you can do anything with, but not verbs - however, I can manage the whole lot of them! Impenetrability! That's what I say!"

Saturday, June 22, 2013

Lewis Carroll: The Garden of Live Flowers


'I should see the garden far better,' said Alice to herself, 'if I could get to the top of that hill: and here's a path that leads straight to it—at least, no, it doesn't do that—' (after going a few yards along the path, and turning several sharp corners), 'but I suppose it will at last. But how curiously it twists! It's more like a corkscrew than a path! Well, THIS turn goes to the hill, I suppose—no, it doesn't! This goes straight back to the house! Well then, I'll try it the other way.'

And so she did: wandering up and down, and trying turn after turn, but always coming back to the house, do what she would. Indeed, once, when she turned a corner rather more quickly than usual, she ran against it before she could stop herself.

'It's no use talking about it,' Alice said, looking up at the house and pretending it was arguing with her. 'I'm NOT going in again yet. I know I should have to get through the Looking-glass again—back into the old room—and there'd be an end of all my adventures!'

So, resolutely turning her back upon the house, she set out once more down the path, determined to keep straight on till she got to the hill. For a few minutes all went on well, and she was just saying, 'I really SHALL do it this time—' when the path gave a sudden twist and shook itself (as she described it afterwards), and the next moment she found herself actually walking in at the door.

'Oh, it's too bad!' she cried. 'I never saw such a house for getting in the way! Never!'

However, there was the hill full in sight, so there was nothing to be done but start again. This time she came upon a large flower-bed, with a border of daisies, and a willow-tree growing in the middle.

'O Tiger-lily,' said Alice, addressing herself to one that was waving gracefully about in the wind, 'I WISH you could talk!'

'We CAN talk,' said the Tiger-lily: 'when there's anybody worth talking to.'

Alice was so astonished that she could not speak for a minute: it quite seemed to take her breath away. At length, as the Tiger-lily only went on waving about, she spoke again, in a timid voice—almost in a whisper. 'And can ALL the flowers talk?'

'As well as YOU can,' said the Tiger-lily. 'And a great deal louder.'

'It isn't manners for us to begin, you know,' said the Rose, 'and I really was wondering when you'd speak! Said I to myself, "Her face has got SOME sense in it, though it's not a clever one!" Still, you're the right colour, and that goes a long way.'

'I don't care about the colour,' the Tiger-lily remarked. 'If only her petals curled up a little more, she'd be all right.'

Alice didn't like being criticised, so she began asking questions. 'Aren't you sometimes frightened at being planted out here, with nobody to take care of you?'

'There's the tree in the middle,' said the Rose: 'what else is it good for?'

'But what could it do, if any danger came?' Alice asked.

'It says "Bough-wough!"' cried a Daisy: 'that's why its branches are called boughs!'

'Didn't you know THAT?' cried another Daisy, and here they all began shouting together, till the air seemed quite full of little shrill voices. 'Silence, every one of you!' cried the Tiger-lily, waving itself passionately from side to side, and trembling with excitement. 'They know I can't get at them!' it panted, bending its quivering head towards Alice, 'or they wouldn't dare to do it!'

'Never mind!' Alice said in a soothing tone, and stooping down to the daisies, who were just beginning again, she whispered, 'If you don't hold your tongues, I'll pick you!'

There was silence in a moment, and several of the pink daisies turned white.
'That's right!' said the Tiger-lily. 'The daisies are worst of all. When one speaks, they all begin together, and it's enough to make one wither to hear the way they go on!'

'How is it you can all talk so nicely?' Alice said, hoping to get it into a better temper by a compliment. 'I've been in many gardens before, but none of the flowers could talk.'

'Put your hand down, and feel the ground,' said the Tiger-lily. 'Then you'll know why.'

Alice did so. 'It's very hard,' she said, 'but I don't see what that has to do with it.'

'In most gardens,' the Tiger-lily said, 'they make the beds too soft—so that the flowers are always asleep.'

This sounded a very good reason, and Alice was quite pleased to know it. 'I never thought of that before!' she said.

'It's MY opinion that you never think AT ALL,' the Rose said in a rather severe tone.

'I never saw anybody that looked stupider,' a Violet said, so suddenly, that Alice quite jumped; for it hadn't spoken before.

'Hold YOUR tongue!' cried the Tiger-lily. 'As if YOU ever saw anybody! You keep your head under the leaves, and snore away there, till you know no more what's going on in the world, than if you were a bud!'

'Are there any more people in the garden besides me?' Alice said, not choosing to notice the Rose's last remark.

'There's one other flower in the garden that can move about like you,' said the Rose. 'I wonder how you do it—' ('You're always wondering,' said the Tiger-lily), 'but she's more bushy than you are.'

'Is she like me?' Alice asked eagerly, for the thought crossed her mind, 'There's another little girl in the garden, somewhere!'

'Well, she has the same awkward shape as you,' the Rose said, 'but she's redder—and her petals are shorter, I think.'

'Her petals are done up close, almost like a dahlia,' the Tiger-lily interrupted: 'not tumbled about anyhow, like yours.'

'But that's not YOUR fault,' the Rose added kindly: 'you're beginning to fade, you know—and then one can't help one's petals getting a little untidy.'

Alice didn't like this idea at all: so, to change the subject, she asked 'Does she ever come out here?'

'I daresay you'll see her soon,' said the Rose. 'She's one of the thorny kind.'

'Where does she wear the thorns?' Alice asked with some curiosity.

'Why all round her head, of course,' the Rose replied. 'I was wondering YOU hadn't got some too. I thought it was the regular rule.'

'She's coming!' cried the Larkspur. 'I hear her footstep, thump, thump, thump, along the gravel-walk!'

Alice looked round eagerly, and found that it was the Red Queen. 'She's grown a good deal!' was her first remark. She had indeed: when Alice first found her in the ashes, she had been only three inches high—and here she was, half a head taller than Alice herself!

'It's the fresh air that does it,' said the Rose: 'wonderfully fine air it is, out here.'

'I think I'll go and meet her,' said Alice, for, though the flowers were interesting enough, she felt that it would be far grander to have a talk with a real Queen.
'You can't possibly do that,' said the Rose: 'I should advise you to walk the other way.'

This sounded nonsense to Alice, so she said nothing, but set off at once towards the Red Queen. To her surprise, she lost sight of her in a moment, and found herself walking in at the front-door again.

A little provoked, she drew back, and after looking everywhere for the queen (whom she spied out at last, a long way off), she thought she would try the plan, this time, of walking in the opposite direction.

It succeeded beautifully. She had not been walking a minute before she found herself face to face with the Red Queen, and full in sight of the hill she had been so long aiming at.


'Where do you come from?' said the Red Queen. 'And where are you going? Look up, speak nicely, and don't twiddle your fingers all the time.'

Alice attended to all these directions, and explained, as well as she could, that she had lost her way.

'I don't know what you mean by YOUR way,' said the Queen: 'all the ways about here belong to ME—but why did you come out here at all?' she added in a kinder tone. 'Curtsey while you're thinking what to say, it saves time.'

Alice wondered a little at this, but she was too much in awe of the Queen to disbelieve it. 'I'll try it when I go home,' she thought to herself, 'the next time I'm a little late for dinner.'

'It's time for you to answer now,' the Queen said, looking at her watch: 'open your mouth a LITTLE wider when you speak, and always say "your Majesty."'

'I only wanted to see what the garden was like, your Majesty—'

'That's right,' said the Queen, patting her on the head, which Alice didn't like at all, 'though, when you say "garden,"—I'VE seen gardens, compared with which this would be a wilderness.'

Alice didn't dare to argue the point, but went on: '—and I thought I'd try and find my way to the top of that hill—'

'When you say "hill,"' the Queen interrupted, 'I could show you hills, in comparison with which you'd call that a valley.'

'No, I shouldn't,' said Alice, surprised into contradicting her at last: 'a hill CAN'T be a valley, you know. That would be nonsense—'

The Red Queen shook her head, 'You may call it "nonsense" if you like,' she said, 'but I'VE heard nonsense, compared with which that would be as sensible as a dictionary!'

Alice curtseyed again, as she was afraid from the Queen's tone that she was a LITTLE offended: and they walked on in silence till they got to the top of the little hill.

For some minutes Alice stood without speaking, looking out in all directions over the country—and a most curious country it was. There were a number of tiny little brooks running straight across it from side to side, and the ground between was divided up into squares by a number of little green hedges, that reached from brook to brook.


'I declare it's marked out just like a large chessboard!' Alice said at last. 'There ought to be some men moving about somewhere—and so there are!' She added in a tone of delight, and her heart began to beat quick with excitement as she went on. 'It's a great huge game of chess that's being played—all over the world—if this IS the world at all, you know. Oh, what fun it is! How I WISH I was one of them! I wouldn't mind being a Pawn, if only I might join—though of course I should LIKE to be a Queen, best.'

She glanced rather shyly at the real Queen as she said this, but her companion only smiled pleasantly, and said, 'That's easily managed. You can be the White Queen's Pawn, if you like, as Lily's too young to play; and you're in the Second Square to begin with: when you get to the Eighth Square you'll be a Queen—'

Just at this moment, somehow or other, they began to run.


Alice never could quite make out, in thinking it over afterwards, how it was that they began: all she remembers is, that they were running hand in hand, and the Queen went so fast that it was all she could do to keep up with her: and still the Queen kept crying 'Faster! Faster!' but Alice felt she COULD NOT go faster, though she had not breath left to say so.

The most curious part of the thing was, that the trees and the other things round them never changed their places at all: however fast they went, they never seemed to pass anything. 'I wonder if all the things move along with us?' thought poor puzzled Alice. And the Queen seemed to guess her thoughts, for she cried, 'Faster! Don't try to talk!'

Not that Alice had any idea of doing THAT. She felt as if she would never be able to talk again, she was getting so much out of breath: and still the Queen cried 'Faster! Faster!' and dragged her along. 'Are we nearly there?' Alice managed to pant out at last.

'Nearly there!' the Queen repeated. 'Why, we passed it ten minutes ago! Faster!' And they ran on for a time in silence, with the wind whistling in Alice's ears, and almost blowing her hair off her head, she fancied.

'Now! Now!' cried the Queen. 'Faster! Faster!' And they went so fast that at last they seemed to skim through the air, hardly touching the ground with their feet, till suddenly, just as Alice was getting quite exhausted, they stopped, and she found herself sitting on the ground, breathless and giddy.

The Queen propped her up against a tree, and said kindly, 'You may rest a little now.'

Alice looked round her in great surprise. 'Why, I do believe we've been under this tree the whole time! Everything's just as it was!'

'Of course it is,' said the Queen, 'what would you have it?'

'Well, in OUR country,' said Alice, still panting a little, 'you'd generally get to somewhere else—if you ran very fast for a long time, as we've been doing.'

'A slow sort of country!' said the Queen. 'Now, HERE, you see, it takes all the running YOU can do, to keep in the same place. If you want to get somewhere else, you must run at least twice as fast as that!'

'I'd rather not try, please!' said Alice. 'I'm quite content to stay here—only I AM so hot and thirsty!'

'I know what YOU'D like!' the Queen said good-naturedly, taking a little box out of her pocket. 'Have a biscuit?'

Alice thought it would not be civil to say 'No,' though it wasn't at all what she wanted. So she took it, and ate it as well as she could: and it was VERY dry; and she thought she had never been so nearly choked in all her life.

'While you're refreshing yourself,' said the Queen, 'I'll just take the measurements.' And she took a ribbon out of her pocket, marked in inches, and began measuring the ground, and sticking little pegs in here and there.

'At the end of two yards,' she said, putting in a peg to mark the distance, 'I shall give you your directions—have another biscuit?'

'No, thank you,' said Alice: 'one's QUITE enough!'

'Thirst quenched, I hope?' said the Queen.

Alice did not know what to say to this, but luckily the Queen did not wait for an answer, but went on. 'At the end of THREE yards I shall repeat them—for fear of your forgetting them. At the end of FOUR, I shall say good-bye. And at the end of FIVE, I shall go!'

She had got all the pegs put in by this time, and Alice looked on with great interest as she returned to the tree, and then began slowly walking down the row.

At the two-yard peg she faced round, and said, 'A pawn goes two squares in its first move, you know. So you'll go VERY quickly through the Third Square—by railway, I should think—and you'll find yourself in the Fourth Square in no time. Well, THAT square belongs to Tweedledum and Tweedledee—the Fifth is mostly water—the Sixth belongs to Humpty Dumpty—But you make no remark?'

'I—I didn't know I had to make one—just then,' Alice faltered out.

'You SHOULD have said, "It's extremely kind of you to tell me all this"—however, we'll suppose it said—the Seventh Square is all forest—however, one of the Knights will show you the way—and in the Eighth Square we shall be Queens together, and it's all feasting and fun!' Alice got up and curtseyed, and sat down again.

At the next peg the Queen turned again, and this time she said, 'Speak in French when you can't think of the English for a thing—turn out your toes as you walk—and remember who you are!' She did not wait for Alice to curtsey this time, but walked on quickly to the next peg, where she turned for a moment to say 'good-bye,' and then hurried on to the last.

How it happened, Alice never knew, but exactly as she came to the last peg, she was gone. Whether she vanished into the air, or whether she ran quickly into the wood ('and she CAN run very fast!' thought Alice), there was no way of guessing, but she was gone, and Alice began to remember that she was a Pawn, and that it would soon be time for her to move.

Lewis Carroll: Alice meets Humpty Dumpty

Humpty Dumpty sat on a wall


HOWEVER, the egg only got larger and larger, and more and more human: when she had come within a few yards of it, she saw that it had eyes and a nose and mouth; and, when she had come close to it, she saw clearly that it was HUMPTY DUMPTY himself. 'It can't be anybody else!' she said to herself. 'I'm as certain of it, as if his name were written all over his face!'

It might have been written a hundred times, easily, on that enormous face. Humpty Dumpty was sitting, with his legs crossed like a Turk, on the top of a high wall — such a narrow one that Alice quite wondered how he could keep his balance — and, as his eyes were steadily fixed in the opposite direction, and he didn't take the least notice of her, she thought he must be a stuffed figure, after all.

'And how exactly like an egg he is!' she said aloud, standing with her hands ready to catch him, for she was every moment expecting him to fall.

'It's very provoking,' Humpty Dumpty said after a long silence, looking away from Alice as he spoke, 'to be called an egg — very!

'I said you looked like an egg, Sir,' Alice gently explained. 'And some eggs are very pretty, you know,' she added, hoping to turn her remark into a sort of compliment.

'Some people,' said Humpty Dumpty, looking away from her as usual, 'have no more sense than a baby!'

Alice didn't know what to say to this: it wasn't at all like conversation, she thought, as he never said anything to her; in fact, his last remark was evidently addressed to a tree — so she stood and softly repeated to herself:
'Humpty Dumpty sat on a wall:
Humpty Dumpty had a great fall.
All the King's horses and all the King's men
Couldn't put Humpty Dumpty in his place again.
'
'That last line is much too long for the poetry,' she added, almost out loud, forgetting that Humpty Dumpty would hear her.

'Don't stand chattering to yourself like that,' Humpty Dumpty said, looking at her for the first time, 'but tell me your name and your business.'

'My name is Alice, but —'

'It's a stupid name enough!' Humpty Dumpty interrupted impatiently. 'What does it mean?'

'Must a name mean something?' Alice asked doubtfully.

'Of course it must,' Humpty Dumpty said with a short laugh: 'my name means the shape I am — and a good handsome shape it is, too. With a name like yours, you might be any shape, almost.'

'Why do you sit out here all alone?' said Alice, not wishing to begin an argument.

'Why, because there's nobody with me!' cried Humpty Dumpty. 'Did you think I didn't know the answer to that? Ask another.'

'Don't you think you'd be safer down on the ground?' Alice went on, not with any idea of making another riddle, but simply in her good-natured anxiety for the queer creature. 'That wall is so very narrow!'

'What tremendously easy riddles you ask!' Humpty Dumpty growled out. 'Of course I don't think so! Why, if ever I did fall off — which there's no chance of — but if I did —' Here he pursed up his lips, and looked so solemn and grand that Alice could hardly help laughing. 'If I did fall,' he went on, 'the King has promised me — ah, you may turn pale, if you like! You didn't think I was going to say that, did you? The King has promised me — with his very own mouth — to — to —'

'To send all his horses and all his men,' Alice interrupted, rather unwisely.

'Now I declare that's too bad!' Humpty Dumpty cried, breaking into a sudden passion. 'You've been listening at doors — and behind trees — and down chimneys — or you couldn't have known it!'

'I haven't indeed!' Alice said very gently. 'It's in a book.'

'Ah, well! They may write such things in a book,' Humpty Dumpty said in a calmer tone. 'That's what you call a History of England, that is. Now, take a good look at me! I'm one that has spoken to a King, I am: mayhap you'll never see such another: and, to show you I'm not proud, you may shake hands with me!' And he grinned almost from ear to ear, as he leant forwards (and as nearly as possible fell off the wall in doing so) and offered Alice his hand. She watched him a little anxiously as she took it. 'If he smiled much more the ends of his mouth might meet behind,' she thought: 'And then I don't know what would happen to his head! I'm afraid it would come off!'

'Yes, all his horses and all his men,' Humpty Dumpty went on. 'They'd pick me up again in a minute, they would! However, this conversation is going on a little too fast: let's go back to the last remark but one.'

'I'm afraid I can't quite remember it,' Alice said, very politely.

'In that case we start afresh,' said Humpty Dumpty, 'and it's my turn to choose a subject —' ('He talks about it just as if it was a game!' thought Alice.) 'So here's a question for you. How old did you say you were?'

Alice made a short calculation, and said 'Seven years and six months.'

'Wrong!' Humpty Dumpty exclaimed triumphantly. 'You never said a word like it!'

'I thought you meant "How old are you?"' Alice explained.

'If I'd meant that, I'd have said it,' said Humpty Dumpty.

Alice didn't want to begin another argument, so she said nothing.

'Seven years and six months!' Humpty Dumpty repeated thoughtfully. 'An uncomfortable sort of age. Now if you'd asked my advice, I'd have said "Leave off at seven" — but it's too late now.'

'I never ask advice about growing,' Alice said indignantly.

'Too proud?' the other enquired.

Alice felt even more indignant at this suggestion. 'I mean,' she said, 'that one can't help growing older.'

'One can't, perhaps,' said Humpty Dumpty; 'but two can. With proper assistance, you might have left off at seven.'

'What a beautiful belt you've got on!' Alice suddenly remarked. (They had had quite enough of the subject of age, she thought: and, if they really were to take turns in choosing subjects, it was her turn now.) 'At least,' she corrected herself on second thoughts, 'a beautiful cravat, I should have said — no, a belt, I mean — I beg your pardon!' she added in dismay, for Humpty Dumpty looked thoroughly offended, and she began to wish she hadn't chosen that subject. 'If only I knew,' she thought to herself, 'which was neck and which was waist!'

Evidently Humpty Dumpty was very angry, though he said nothing for a minute or two. When he did speak again, it was in a deep growl.

'It is a — mostprovoking — thing,' he said at last, 'when a person doesn't know a cravat from a belt!'

'I know it's very ignorant of me,' Alice said, in so humble a tone that Humpty Dumpty relented.

'It's a cravat, child, and a beautiful one, as you say. It's a present from the White King and Queen. There now!'

'Is it really?' said Alice, quite pleased to find that she had chosen a good subject after all.

'They gave it me,' Humpty Dumpty continued thoughtfully as he crossed one knee over the other and clasped his hands round it, 'they gave it me — for an un-birthday present.'

'I beg your pardon?' Alice said with a puzzled air.

'I'm not offended,' said Humpty Dumpty.

'I mean, what is an un-birthday present?'

'A present given when it isn't your birthday, of course.'

Alice considered a little. 'I like birthday presents best,' she said at last.

'You don't know what you're talking about!' cried Humpty Dumpty. 'How many days are there in a year?'

'Three hundred and sixty-five,' said Alice.

'And how many birthdays have you?'

'One.'

'And if you take one from three hundred and sixty-five what remains?'

'Three hundred and sixty-four, of course.'

Humpty Dumpty looked doubtful. 'I'd rather see that done on paper,' he said.

Alice couldn't help smiling as she took out her memorandum book, and worked the sum for him:
365
    1
----
364
----
Humpty Dumpty took the book and looked at it carefully. 'That seems to be done right —' he began.

'You're holding it upside down!' Alice interrupted.

'To be sure I was!' Humpty Dumpty said gaily as she turned it round for him. 'I thought it looked a little queer. As I was saying, that seems to be done right — though I haven't time to look it over thoroughly just now — and that shows that there are three hundred and sixty-four days when you might get un-birthday presents —'

'Certainly,' said Alice.

'And only one for birthday presents, you know. There's glory for you!'

'I don't know what you mean by "glory",' Alice said.

Humpty Dumpty smiled contemptuously. 'Of course you don't — till I tell you. I meant "there's a nice knock-down argument for you!"'

'But "glory" doesn't mean "a nice knock-down argument",' Alice objected.

'When I use a word,' Humpty Dumpty said, in rather a scornful tone, 'it means just what I choose it to mean — neither more nor less.'

'The question is,' said Alice, 'whether you can make words mean so many different things.'

'The question is,' said Humpty Dumpty, 'which is to be master — that's all.'

Alice was too much puzzled to say anything; so after a minute Humpty Dumpty began again. 'They've a temper, some of them — particularly verbs: they're the proudest — adjectives you can do anything with, but not verbs — however, I can manage the whole lot of them! Impenetrability! That's what I say!'

'Would you tell me please,' said Alice, 'what that means?'

'Now you talk like a reasonable child,' said Humpty Dumpty, looking very much pleased. 'I meant by "impenetrability" that we've had enough of that subject, and it would be just as well if you'd mention what you mean to do next, as I suppose you don't mean to stop here all the rest of your life.'

'That's a great deal to make one word mean,' Alice said in a thoughtful tone.

'When I make a word do a lot of work like that,' said Humpty Dumpty, 'I always pay it extra.'

'Oh!' said Alice. She was too much puzzled to make any other remark.

'Ah, you should see 'em come round me of a Saturday night,' Humpty Dumpty went on, wagging his head gravely from side to side, 'for to get their wages, you know.'  (Alice didn't venture to ask what he paid them with; and so you see I can't tell you.)

'You seem very clever at explaining words, Sir,' said Alice. 'Would you kindly tell me the meaning of the poem called "Jabberwocky"?'

'Let's hear it,' said Humpty Dumpty. 'I can explain all the poems that ever were invented — and a good many that haven't been invented just yet.'

This sounded very hopeful, so Alice repeated the first verse:
''Twas brillig, and the slithy toves
   Did gyre and gimble in the wabe:
All mimsy were the borogoves,
   And the mome raths outgrabe.
'
'That's enough to begin with,' Humpty Dumpty interrupted: 'there are plenty of hard words there. "Brillig" means four o'clock in the afternoon — the time when you begin broiling things for dinner.'

'That'll do very well,' said Alice: 'and "slithy"?'

'Well, "slithy" means "lithe and slimy". "Lithe" is the same as "active". You see it's like a portmanteau — there are two meanings packed up into one word.'

'I see it now,' Alice remarked thoughtfully: 'and what are "toves"?'

'Well, "toves" are something like badgers — they're something like lizards — and they're something like corkscrews.'

'They must be very curious-looking creatures.'

'They are that,' said Humpty Dumpty; 'also they make their nests under sun-dials — also they live on cheese.'

'And what's to "gyre" and to "gimble"?'

'To "gyre" is to go round and round like a gyroscope. To "gimble" is to make holes like a gimlet.'

'And "the wabe" is the grass-plot round a sun-dial, I suppose?' said Alice, surprised at her own ingenuity.

'Of course it is. It's called "wabe" you know, because it goes a long way before it, and a long way behind it —'

'And a long way beyond it on each side,' Alice added.

'Exactly so. Well then, "mimsy" is "flimsy and miserable" (there's another portmanteau for you). And a "borogove" is a thin shabby-looking bird with its feathers sticking out all round — something like a live mop.'

'And then "mome raths"?' said Alice. 'I'm afraid I'm giving you a great deal of trouble.'

'Well, a "rath" is a sort of green pig: but "mome" I'm not certain about. I think it's short for "from home" — meaning that they'd lost their way, you know.'

'And what does "outgrabe" mean?'

'Well, "outgribing" is something between bellowing and whistling, with a kind of sneeze in the middle: however, you'll hear it done, maybe — down in the wood yonder — and, when you've once heard it, you'll be quite content. Who's been repeating all that hard stuff to you?'

'I read it in a book,' said Alice. 'But I had some poetry repeated to me much easier than that, by — Tweedledee, I think.'

'As to poetry, you know,' said Humpty Dumpty, stretching out one of his great hands, 'I can repeat poetry as well as other folk, if it comes to that —'

'Oh, it needn't come to that!' Alice hastily said, hoping to keep him from beginning.

'The piece I'm going to repeat,' he went on without noticing her remark, 'was written entirely for your amusement.'

Alice felt that in that case she really ought to listen to it; so she sat down, and said 'Thank you' rather sadly,
'In winter, when the fields are white,
I sing this song for your delight —
only I don't sing it,' he added, as an explanation.

'I see you don't,' said Alice.

'If you can see whether I'm singing or not, you've sharper eyes than most,' Humpty Dumpty remarked severely. Alice was silent.
'In spring, when woods are getting green,
I'll try and tell you what I mean:
'Thank you very much,' said Alice.
'In summer, when the days are long,
Perhaps you'll understand the song:
In autumn, when the leaves are brown,
Take pen and ink, and write it down.'

'I will, if I can remember it so long,' said Alice.

'You needn't go on making remarks like that,' Humpty Dumpty said: 'they're not sensible, and they put me out.'
'I sent a message to the fish:
I told them "This is what I wish."
The little fishes of the sea,
They sent an answer back to me.
The little fishes' answer was
"We cannot do it, Sir, because —"'
'I'm afraid I don't quite understand,' said Alice.

'It gets easier further on,' Humpty Dumpty replied.
'I sent to them again to say
"It will be better to obey."
The fishes answered, with a grin,
"Why, what a temper you are in!"
I told them once, I told them twice:
They would not listen to advice.
I took a kettle large and new,
Fit for the deed I had to do.
My heart went hop, my heart went thump:
I filled the kettle at the pump.
Then some one came to me and said
"The little fishes are in bed."
I said to him, I said it plain,
"Then you must wake them up again."
I said it very loud and clear:
I went and shouted in his ear.'
Humpty Dumpty raised his voice almost to a scream as he repeated this verse, and Alice thought with a shudder, 'I wouldn't have been the messenger for anything!'

'But he was very stiff and proud:
He said, "You needn't shout so loud!"
And he was very proud and stiff:
He said "I'd go and wake them, if —"
I took a corkscrew from the shelf:
I went to wake them up myself.
And when I found the door was locked,
I pulled and pushed and kicked and knocked.
And when I found the door was shut,
I tried to turn the handle, but—'
There was a long pause.

'Is that all?' Alice timidly asked.

'That's all,' said Humpty Dumpty. 'Good-bye.'

This was rather sudden, Alice thought: but, after such a very strong hint that she ought to be going, she felt that it would hardly be civil to stay. So she got up, and held out her hand. 'Good-bye, till we meet again!' she said as cheerfully as she could.

'I shouldn't know you again if we did meet,' Humpty Dumpty replied in a discontented tone, giving her one of his fingers to shake: 'you're so exactly like other people.'

'The face is what one goes by, generally,' Alice remarked in a thoughtful tone.

'That's just what I complain of,' said Humpty Dumpty. 'Your face is the same as everybody has — the two eyes, so —' (marking their places in the air with his thumb) 'nose in the middle, mouth under. It's always the same. Now if you had the two eyes on the same side of the nose, for instance — or the mouth at the top — that would be some help.'

'It wouldn't look nice,' Alice objected. But Humpty Dumpty only shut his eyes, and said 'Wait till you've tried.'

Alice waited a minute to see if he would speak again, but, as he never opened his eyes or took any further notice of her, she said 'Good-bye!' once more, and, getting no answer to this, she quietly walked away: but she couldn't help saying to herself, as she went, 'of all the unsatisfactory —' (she repeated this aloud, as it was a great comfort to have such a long word to say) 'of all the unsatisfactory people I ever met —' She never finished the sentence, for at this moment a heavy crash shook the forest from end to end.